I would suggest that Zelig’s importance lies on three aspects: The challenge on documentary form, the notion of history as well as the truthfulness of identity. Dramatica is a registered trademark of Screenplay Systems Incorporated. When he rejects her on New Year’s Eve, she cuts her wrists. While Joe believes he can manipulate her to his benefit, but he soon finds out he’s dead wrong. I’ll be up there again. Joe attempts to get his writing career back on track by working with Betty to develop his story, “Dark Windows.”  Betty has already sold producer Sheldrake on the idea, so Joe has a good chance of a future with the studio. Producer Sheldrake searches for his next hit movie so he can keep his job and afford his fabulous home. Contrary to Joe’s belief, he’s not destined to become a successful script writer. GILLIS:  There’s nothing tragic about being fifty—not unless you try to be twenty-five. NORMA:  Oh yes, yes. She employs Joe Gillis, a disillusioned young writer, to work on the script with which she hopes to make a comeback, even though Cecil B. DeMille has turned it down. . . On the way to the goal Norma finds happiness in her past as a film star, which included dancing with Rudolph Valentino; Max takes pride in telling Joe how he discovered Norma when he was a promising director; Betty tells Joe about her years of preparation to become an actress and how her failure lead to a more fulfilling career choice as a writer—a profession in which she shows much promise; Norma is able to show off her young paramour to the “waxworks,” the friends of her past. I don’t care what it takes. (Angles? NORMA:  You heard him. He finds himself virtually her prisoner, marooned without a car, money, or a place of his own. NORMA:  It’s yours, Joe. relationship, during the time Imelda and her father were happy she wore the shoes Since then several literary texts have been filmed, and this process has become a popular phenomenon now. .] All I know is, they didn’t sell. Forgotten star a slayer. Back to a story that may sell and very possibly will not? Sunset Boulevard (1950) is a classic black comedy/drama, and perhaps the most acclaimed, but darkest film-noir story about "behind the scenes" Hollywood, self-deceit, spiritual and spatial emptiness, and the price of fame, greed, narcissism, and ambition. Sunset Boulevard is a 1950 film noir directed by Billy Wilder. NORMA:  You’re here, Joe. She was a fool, and I loved her and I’d been a heel not to tell her. There’s no denying she possesses an innate ability to captivate an audience. Some carhop, or a dress extra? GILLIS:  And I’d take it in a second, Norma—only it’s a little too dressy for sitting behind the copy desk in Dayton, Ohio. . Sunset Boulevard, directed by Billy wilder in 1950, is considered to be the greatest film about Hollywood ever put on celluloid by Hollywood. Joe is unhappy being Norma’s kept man; lying to his friends about where he lives and how he supports himself. Not lately. It was released to the public on August 10, 1950 in New York City. Joe rejects Norma during a lavish New Year’s Eve bash for two, leaving her alone. Further, when he was alive, his concern was to avoid his past life as a lowly newspaper man. Joe finds himself in servitude and a love affair, enmeshed in Norma’s fantasies of coming glory. The objective characters are concerned with how to realize their career objectives using Joe’s talent as a writer. You don’t believe me, but I did, I did! She sees the same path for Joe. What are your expectations about what the film will be like at this point? BETTY:  I just think pictures should say a little something. He returns and becomes her lover, a kept man totally dependent upon her for life’s necessities. Patent #5,734,916; #6,105,046. The story is moved along by actions:  When the finance men try to repossess Joe’s car he runs from them, gets a flat tire, and hides in Norma’s driveway. A younger man who is not doing too well. Joe envisions milking Norma for five hundred a week, going back to writing his own stories, and eventually selling them to producers. NORMA:  No one leaves a star. Sunset Boulevard Film Analysis 1617 Words 7 Pages Mise-en-scéne is crucial to classical Hollywood as it defined an era ‘that in its primary sense and effect, shows us something; it is a means of display. MAX:  She never will. . It inspired a … However, Norma’s instincts tell her that it’s not just a script that’s luring Joe out of her house nights. A talented writer having a dry spell patent leather but queerer things were yet to come with ideological! 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